Volta - Il Tempio dell'Incoronata

Museo del Tesoro dell'Incoronata

The museum, built in 1988, it is housed in underground spaces below the sacresty of the Tempio dell'Incoronata. It is composed of three different rooms which intersect with each other with vaults, arches, niches, window embrasures.

during the work of creating of the rooms were highlighted some of the existing architectural details to remind and point out the the domestic nature of the rooms: a working well, slides for the discharge of the wood, niches and tunnels connecting the residential area above.

The works presented have a uniqueness and rarity character; a collection of objects that testimony the objects related to the religius functions of an important sanctuary.

Some silverware have the brand of shop, fundamental traces to go back to the laboratory of the goldsmith and the production site, for example a pyx of the XVIII century, marked with a bell, brand already known in the '600; an eighteenth-century chalice marked with the cross of Malta; an ostensory of the end of nineteenth century, made by the famous silversmith Luigi Caber; a seventeenth-century thurible marked with the lion marches, made by Bernardo Longon.

The repertoire of liturgical objects of use complementary is large enough: reliquaries, candlesticks, vases, buckets, cruets, bustsAmong the liturgical kits are multiple ves tments with rich lace dated between the XVII and XVIII.

A mention to the valuable Pacesixteenth, made by a shop of painters of Milan, it is stored in a container of leather and on which is inscribed the image of Cristo alla colonna on the back, and bishop's miter and crozier, an animal and the inscription Love God on the front.

worthy of attention is a Wake-standing , a fine object of watchmaking art, to the mid of the eighteenth century, made by Antonio Kurtzweil, used in Vienna between the 1746 and the 1763.

Museo del Tesoro dell'Incoronata

The museum, built in 1988, it is housed in underground spaces below the sacresty of the Tempio dell'Incoronata. It is composed of three different rooms which intersect with each other with vaults, arches, niches, window embrasures.

during the work of creating of the rooms were highlighted some of the existing architectural details to remind and point out the the domestic nature of the rooms: a working well, slides for the discharge of the wood, niches and tunnels connecting the residential area above.

The works presented have a uniqueness and rarity character; a collection of objects that testimony the objects related to the religius functions of an important sanctuary

Some silverware have the brand of shop, fundamental traces to go back to the laboratory of the goldsmith and the production site, for example a pyx of the XVIII century, marked with a bell, brand already known in the '600; an eighteenth-century chalice marked with the cross of Malta; an ostensory of the end of nineteenth century, made by the famous silversmith Luigi Caber; a seventeenth-century thurible marked with the lion marches, made by Bernardo Longon.

The repertoire of liturgical objects of use complementary is large enough: reliquaries, candlesticks, vases, buckets, cruets, bustsAmong the liturgical kits are multiple ves tments with rich lace dated between the XVII and XVIII.

A mention to the valuable Pacesixteenth, made by a shop of painters of Milan, it is stored in a container of leather and on which is inscribed the image of Cristo alla colonna on the back, and bishop's miter and crozier, an animal and the inscription Love God on the front.

worthy of attention is a Wake-standing , a fine object of watchmaking art, to the mid of the eighteenth century, made by Antonio Kurtzweil, used in Vienna between the 1746 and the 1763.